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Karadžić, Vuk Stefanović

  • Language interestPopular culture (Manners and customs)Text editionsSerbian
  • Author:
    Marković, Biljana
  • Title:
    Karadžić, Vuk Stefanović
  • Text:

    Vuk Stefanović Karadžić (Tršic 1787 – Vienna 1864) was a Serbian philologist, linguist, language reformer, historian and folk-literature collector. His major achievements include writing a Serbian grammar, reforming the language’s alphabet and orthography and compiling its first dictionary. Vuk’s collections of Serbian oral literature became famous across Europe, established the national stature of Serbian culture, and led to his national canonicity as “father of the nation”.

    Vuk was born in a poor peasant family in the West Serbian village of Trsić. Poor health and a natural interest in learning took him out of peasant life; he attended school in a nearby monastery. Vuk’s development was heavily influenced by the First Serbian Uprising of 1804, which marked the first national movement against Ottoman rule.

    Vuk, whose literacy was exceptional at that time, worked as a scribe and secretary for the major hajduk chiefs of the Serbian Uprising, an experience later recalled in his historical writings: “The first/second year of war against the Janissary renegades” (Prva/Druga godina vojevanja na dahije, 1828, 1834) and “Lives of the Serbian generals” (Žitije znatnih Srbalja, 1829, in which his account of the hajduk Veljko Petrović stands out, Žitije Hajduk-Veljka Petrovića). Vuk’s accounts were highly influential on Leopold Ranke’s Die serbische Revolution (1828), which celebrated Serbian nation building efforts. After the collapse of the insurrection in 1813, Vuk (who around 1810 had enrolled in the newly-opened Belgrade Higher School, forerunner of the University there) followed its leaders into exile. However, he preferred Vienna over Russia, and there met the Slovenian philologist Jernej Kopitar, whose guidance and support changed his life.

    Kopitar, at this time a librarian in the Imperial Library and censor for non-German publications, introduced Vuk to new philological interest in vernacular languages, epics and folktales, and sponsored his writings and publications in each of these fields. By 1814 Vuk published the first Serbian grammar (Pismenica serbskoga jezika) and an anthology of Serbian-language folk-songs (Mala prostonarodna slavenoserbska pjesnarica). Under Kopitar’s Herderian and Austro-Slavic influence, Vuk’s Serbian would rely on popular speech rather than the Russian-influenced Slavonic-Serbian standard of the time; in the preface to the last-mentioned collection, he vindicated the usage of “blind men’s songs” in the language of “shepherds and swineherds” with reference to the verses’ artless authenticity and his own burning patriotism, in line with Herder’s Stimmen der Völker in Liedern, to which Kopitar had introduced him.

    Herder had already included in his 1778 anthology a specimen of South Slavic oral poetry: Hasanaginica (as translated by Goethe). Vuk’s collections were, thus, a second wave of European interest in the oral poetry from that region. His efforts met with the interest and support of Jacob Grimm, who also translated Vuk’s grammar as Kleine serbische Grammatik in 1815. Vuk finally met Grimm in 1823 and with Grimm’s recommendation travelled to Weimar to meet Goethe, who in turn urged Therese von Jacob (better knows as Talvj, her initials used as a pen name) to translate Vuk’s collections of folk-poetry (Volkslieder der Serben, 1825-26). The vogue also reached France: Claude Fauriel and Adam Mickiewicz lectured on the topic at the Sorbonne and the Collège de France (1831-32 and 1841-42) and Prosper Mérimée’s counterfeit anthology La Guzla hoodwinked Puškin into translating its “original Illyrian poetry” for his collection of “Songs of the Western Slavs”. Meanwhile Vuk himself published four volumes of Serbian folk-songs (Srpske narodne pjesme) in Leipzig (1823-33, he later expanded and reissued in Vienna, 1841-62).

    Vuk’s work, and his language reform proposals, met with a more mixed response among his fellow-Serbians. Vuk endorsed popular speech as the basis for linguistic standardization, rather than the Slavonic-Serbian used by the educated classes – an idiom influenced by the Russian teaching mission sent to Serbia by the Orthodox Synod, and endorsed by Serbia’s Orthodox clergy. Vuk’s critique of this usage broadened into literary criticism when he attacked the “prettified language” of Milovan Vidaković’s popular novels. This led to a long-lasting controversy between Vuk and the anti-reformist Matica Srpska, notably with its founding member Jovan Hadžić.

    Vuk’s reformation of the Cyrillic alphabet took inspiration from Jan Hus’s Czech alphabet reforms and aimed, following the principle laid down by Johann Christoph Adelung, to provide each phoneme with its own letter. Going by his own native (Eastern-Hercegovinian) dialect, he excluded Russian letters which had no spoken analogue and where necessary included new letters to represent sounds in popular speech.

    All this found expression in Vuk’s Serbian dictionary (Srpski rjecnik, 1818), which contained 26,270 headwords and many references (in Serbian, German and Latin) to folk-life. The second edition of 1852 went beyond the scope of a mere vocabulary and counted 47,000 headwords, giving a full lexical account of rural life in early-19th-century Serbia with extensive descriptions of all its important elements.

    Vuk’s constant financial worries meant that he was constantly in search of patronage, leading to a Russian visit in 1819. This gained him useful connections among various Slavic intellectuals and sympathizers, and a Russian state pension. Political friction continued to beset his publications, however: in 1821, censorship prevented the publication of his materials for a History of Serbia, which were considered seditious. A third book of epic poetry met with the same fate. Financial issues and political intrigue dominated Vuk’s many visits to Serbia, ruled by Miloš Obrenović following the success of the Second Uprising of 1815. Vuk’s initial favour with the regime soured, and relations were broken off when Vuk wrote a critical open “Letter to Miloš Obrenović” in 1832.

    From 1834, Vuk collected poems and customs in Montenegro and Dalmatia; his history of Montenegro was published in German in 1837 as Montenegro und die Montenegriner. Around this time he became associated with the Illyrian movement, which sought cultural solidarity between Serbs and Croats, and in 1850 he was a co-signatory of the Vienna “Literary Agreement” proclaiming a common linguistic standard for Serbs (represented by Vuk and Ðuro Daničić), Croats (represented by Dimitrija Demeter, Ivan Kukuljević, Ivan Mažuranić and others) and Slovenes (represented by Franc Miklošič). Vuk’s West-Serbian dialect was endorsed as a common standard, to be represented both by a Cyrilic-Serbian and a Roman-Croatian alphabet.

    In 1847, Vuk’s language reforms were finally culturally endorsed as the first collections of poetry written in “rustic” Serbian, by the most influential Serbian poet of the Romantic generation, Branko Radičević; this was followed by the publication, later that year, of “The mountain wreath” by Prince-Bishop Petar Petrović Njegoš of Montenegro. Both were inspired by Serbian oral poetry and by popular poetic diction. Vuk’s language standard was officially institutionalized after his death (Vienna 1864). His Serbian translation of the New Testament, sponsored by the British Foreign Bible Society and following the demotic idiom, was published in 1868; his remains were transferred to Belgrade in 1899.

    Word Count: 1132

    Tršić (RS)

    Vienna (AT)

    Weimar (DE)

    Leipzig (DE)

    Daničić, Đuro

    Demeter, Dimitrija

    Fauriel, Claude

    Goethe, Johann Wolfgang von

    Grimm, Jacob

    Herder, Johann Gottfried

    Kopitar, Jernej

    Kukuljević-Sakcinski, Ivan

    Mazuranić, Ivan

    Mérimée, Prosper

    Mickiewicz, Adam

    Miklošič, Franc

    Njegoš, Petar II Petrović (Vladika of Montenegro)

    Puškin, Aleksandr Sergeevič

    Radičević, Branko

    Ranke, Leopold von

    Jacob, Therese Albertine Louise von (Talvj)

    Adelung, Johann Christoph

    Vidaković, Milovan

    Hadžić, Jovan

    Serbian state-formation and geopolitics

    The Illyrian movement

    Language interest : SLAVIC (genl., pan-Sl)

    Language interest : Czech

    Language interest : Serbian

    Literary history-writing : Serbian

    Narrative literature (non-historical): Croatian/Serbian

    Bible / classics translations : Introductory survey essay

    Bible / classics translations : Serbian

    Oral literature and folk music: Survey essay

    Oral literature : Croatian

    Oral literature : Serbian

    Cultural sociability : Serbia

    The matica: Matica srpska and its influence

    1850 – Daničić, Đuro, Gaj, Ljudevit, Karadžić, Vuk Stefanović, Kukuljević-Sakcinski, Ivan, Mazuranić, Ivan, Miklošič, Franc: Vienna Literary Agreement (Bečki književni dogovor)

  • Article version:
    1.1.1.1/a
  • Alternative name-form:
    Вук Карадџић Wuk
  • Karadžić, Vuk Stefanović; 1965 ff.. Sabrana Dela (1: Mala prostonarodnja slaveno-serbska pjesnarica (1814), Narodna srbska pjesnarica (1815), ed. V. Nedić; 3: Srpske narodne pripovijetke, ed. M. Pantić; 4-7: Srpske narodne pjesme I-IV, ed. V. Nedić, R. Pešić, R. Samardžić, Lj. Zuković; Srpske narodne poslovice, ed. M. Pantić; Etnografski spisi o Crnoj Gori, ed. M. Filipović & G. Dobrašinović Belgrade: Prosveta)

    Popović, Miodrag; 1964. Vuk Stefanović Karadžić (Belgrade: Nolit)

    Wilson, Duncan; 1970. The life and times of Vuk Stefanovic Karadzic, 1787-1864: Literacy, literature and national independence in Serbia (Oxford: Clarendon)


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    All articles in the Encyclopedia of Romantic Nationalism in Europe edited by Joep Leerssen are licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Permissions beyond the scope of this license may be available at https://www.spinnet.eu.

    © the author and SPIN. Cite as follows (or as adapted to your stylesheet of choice): Marković, Biljana, 2018. "Karadžić, Vuk Stefanović", Encyclopedia of Romantic Nationalism in Europe, ed. Joep Leerssen (electronic version; Amsterdam: Study Platform on Interlocking Nationalisms, https://ernie.uva.nl/), article version 1.1.1.1/a, last changed 10-08-2018, consulted 20-11-2018.